The use of AI in the world of music can also have implications from a legal point of view, creating disputes over the assertion of copyright. Elisabetta Berti Arnoaldi Veli talks about this in this article in Il Mohicano, recalling the Supreme Court’s pronouncement in the case of a choreography created five years ago by a software programme of an artist who was nevertheless recognised as the author, despite the decisive contribution of the machine. And, indeed, is the question that arises, what is the point of attributing an exclusive right to one who does not possess the capacity to dispose of it?